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Dancing the Divine Performative by Dr. Omar
Tango and flamenco demonstrate reiterative antipathy (divergence) and sympathy (convergence) between archetypally gendered sovereigns at edges of constituted ‘being’. Extraordinary rhythms and physical grace unveil an irreducible mystery celebrated again and again by the triumphant shout, “Ole!” Such elegance pinpoints fulcrums between ‘beauty and beast’ in each partner, balancing the push and pull of person-hood,…
synergy
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